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Glazing over – How to glaze a beautiful ceramic handmade trinket bowl

I’ve almost finished glazing the short series of tattoo pots! [Fanfare, please.] It has taken a lot of trial and error, lots of tests and LOTS of patience, but we’re nearly there. I can see the finish line, taste the triumph of completion, lick the face of victory… Umm… Moving on! Just one more firing to go. In the meantime, let me talk you through the glazing process…
You may want to grab the biscuit tin and replenish your cuppa of choice.

Step 1

Sponge off the bisque pot (‘bisque’ is the stage you’re at when the clay has been fired once and turned to ceramic) to get rid of any dust etc., ready to take the dreamy splendour of your glaze.

Step 2

Fill the stamped areas with a coat of chocolate-brown underglaze to highlight the intricacies of the awesome image – a proper beaut of a tattoo design by Kirstie at KTREW Tattoo in Birmingham (

(Do not, I repeat, do NOT lick the chocolate-brown underglaze. It does NOT taste good, and it is NOT good for your innards.)

Step 3

Concede defeat in the fight against the awesome (albeit short-lived) power that is the Great British heatwave and go in search of cool, cool relief. Any breeze will do! It is so hot and humid inside the huts, sitting in the garden is the only option – under a parasol to protect my milky-white skin!

Now, forget to take a photo of the next bit, so decide you can take liberties and squeeze a double instruction in… Then realise you’re waffling and wasting the space that was intended for said instructions! You fool! Now you’ll have to rejig EVERYTHING!

Step 4

Next apply a coat of clear glaze (which currently looks like it’s a very, very pale minty green – oh, the majestic alchemy of ceramic glaze!) to the sun design, just to make it that little bit more gorgeous and shiny.

Once that’s dry, apply three coats of a fabulous glaze from Mayco called ‘Lotus Blossom’ – a pale turquoise-blue with crystal bursts of gold and amber.

INTERLUDE – GIVE YOURSELF A PAT ON THE BACK FOR GETTING THIS FAR! (There’s not much more. Promise… But maybe grab yourself another biscuit to see you through.)

Step 5 (ish)

Caaaaarefully apply two coats of yellow glaze to the raised areas in and around the sun. Yup. It’s tricky, and you may well find your tongue finds its way determinedly out of the corner of your mouth to aid focus. (Proven concentration technique.)

Step 6 (give or take a few)

Wallop a couple of coats of clear glaze on the outside of the pot. This will enhance the beautiful sandy red of the clay (Sanded Etruscan Red from Potclays in Stoke, since you ask!)
(Do NOT put any glaze on the base, or the pot will stick to the kiln shelf and be lost FOREVERRRRRR!)

Finally, sit back and admire your handiwork with a cuppa and another biscuit – you deserve it!

The pots will soon be available to purchase on the KTREW website; follow us on Instagram (@okartsuk and @ktrewtattoo) to stay up to date!

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Ten Tattoo Trinket Bowls Sitting on the Wall…

I’ll admit, I don’t often make thorough, comprehensive plans in life. Like, no Moira, I don’t know what I’m doing two weeks next Wednesday; I don’t own a diary. (Obviously, at the moment I know exactly what I’m doing. every. single. day…. But hopefully that won’t be the case for too much longer.) And the same applies to my pots. More often than not, I’ll go to the studio with only a vague idea of what I fancy doing that day – such is the luxury of not relying on my craft for an income.

But this project is different. I’m making a set of trinket bowls in collaboration with a lovely local tattoo studio, KTREW Tattoo (check out Kirstie and Ivy’s work at, so there’s been a lot of consultation and planning, lots of testing of glaze combinations, clays, stamps and construction methods. Unfortunately, lockdown was enforced almost as soon as we’d finalised the designs, so there are a bunch of unfinished pots lounging around the locked-down studio like idle little terracotta walruses (Now THERE’S an image! Might have to make one of them next!) So, until I can get in and finish the jaunty suckers, I thought I’d give you the lowdown on how I’ve made them. CUE MOVING PICTURES!!

Here’s a little video of the throwing process.

I’m using sanded etruscan red clay, which fires to a lovely warm terracotta red. This is an electric wheel, which only goes anti-clockwise (i.e. best for right-handed people). Being an odd little genius, I am of course left-handed – but we’re used to adapting to survive in a right-handed man’s world. I can even use a can opener without decapitating anyone now! Mummy’s very proud… and relieved.

I must admit, the video is sped up. I cannot really throw a pot in twenty seconds. But I didn’t think you’d want to see a full-length video of me faffing about with rubber kidneys and wooden ribs and chamois gubbins – forgive me for my presumptions.

Please do leave me a message in the comments if you have questions about the process. Or if you just want to praise the massive moon face you see frozen and glorious at the end of the film. It is mine, and it is enormous. (Inflated Chipmunk is the look I’m going for here. I’m quietly confident I’ve achieved it.)

Once I’ve thrown the pots, they have to dry slightly so that the wooden stamp doesn’t stick when I press it in (Yes, I learned the hard way). The stamps, by the way, were lasercut by KTREW’s studio neighbour, The Maker LAB (, who also makes signage, teeny tiny dollhouse furniture and custom wooden whatnots.

Next, the lazy wotsits sit under plastic for a day or so (depending on the weather) to dry out enough for me to trim and tidy them up, removing any excess clay and finger marks. Then it is time to brand them!! No red-hot irons, mind; just more stamps. Far FAR less likely to injure myself this way…

Finally, the gorgeous little critters are ready to dry out slowly, then pop themselves (with some gentle persuasion) into the kiln to fire at over 1,000 degrees. As Paris Hilton would say, waaaay back in the Noughties, “That’s hot”.

I’ll leave you with this lovely, innocent picture of a few of the pots following this ‘bisque firing’. I’ll tell you about the glazing stage some other time – maybe after I’ve had time to recover from the unfortunate trauma that results from Googling ‘Paris Hilton hot gif’. *O_O*